曾获柏林电影节金熊奖的英国导演迈克尔·温特波顿用五年时间，以伪纪录的手法，拍摄入狱的丈夫、辛苦养家的妻子及四个孩子的生活。影片风格平实而含蓄，五年间孩子在镜头前慢慢长大，一点一滴的片段涌现出时光流逝的自然魅力。导演采用无剧本方式，每周拍摄一次，小演员们以真名参与拍摄，在未经雕琢的逼实状态下进行演出。曾出演长寿英剧《神秘博士》的约翰·西姆和科幻巨制《哈利·波特》的雪莉·亨德森分饰父母，也是本片的一大亮点。

曾获柏林电影节金熊奖的英国导演迈克尔·温特波顿用五年时间，以伪纪录的手法，拍摄入狱的丈夫、辛苦养家的妻子及四个孩子的生活。影片风格平实而含蓄，五年间孩子在镜头前慢慢长大，一点一滴的片段涌现出时光流逝的自然魅力。导演采用无剧本方式，每周拍摄一次，小演员们以真名参与拍摄，在未经雕琢的逼实状态下进行演出。曾出演长寿英剧《神秘博士》的约翰·西姆和科幻巨制《哈利·波特》的雪莉·亨德森分饰父母，也是本片的一大亮点。

Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work. 　　A body struggles to get out of bed; a hand knocks a clock onto the floor and there is a close-up of an alarm clock. We see a montage of legs getting out of bed, followed by fragments of different bodies exercising. Many people rushing to get to work on the bus and train are shown, succeeded by shots of people going about routine actions in a bored manner within an office environment. A lunch break occurs, which includes a stop-motion scene of food dancing around on a plate. After work we see workers visit either a show or the cinema, and then focus upon the subjective mind of an audience member: we see him looking tired at the show, intercut with him getting into bed and dreaming. The above routine is then repeated at an even faster rate, compressing the activities and including a few new intercut clips, such as workers at a factory and telephone operators at work.

如果没有了天才、数学家、艺术家、探索者和哲学家，人类的历史会如何演变呢据说一位孕妇有两个心脏，两个大脑 ，这是她未出生孩子最宝贵的财富之一。如今大脑智慧却面临着威胁，大量婴儿大脑受到威胁，这也威胁着人类的未来。未来，真的会是我们的未来吗？自二十世纪下叶开始，人类的智力水平不断下降，儿童患有多动症，注意力障碍，甚至是自闭症的数量不断上涨。我们变得越来越笨了，也越来越不健康了，也许世界上再也不会出现第二个巴赫与莫扎特了。而这一切究竟是什么引起的？也许你家中的杀虫剂和阻燃剂就是最大的凶手。

如果没有了天才、数学家、艺术家、探索者和哲学家，人类的历史会如何演变呢据说一位孕妇有两个心脏，两个大脑 ，这是她未出生孩子最宝贵的财富之一。如今大脑智慧却面临着威胁，大量婴儿大脑受到威胁，这也威胁着人类的未来。未来，真的会是我们的未来吗？自二十世纪下叶开始，人类的智力水平不断下降，儿童患有多动症，注意力障碍，甚至是自闭症的数量不断上涨。我们变得越来越笨了，也越来越不健康了，也许世界上再也不会出现第二个巴赫与莫扎特了。而这一切究竟是什么引起的？也许你家中的杀虫剂和阻燃剂就是最大的凶手。

Exploding real estate prices, zero interest rate and a rising stock market – the rich are getting richer. What danger lies in wait for average citizens? 　　For years, the world’s central banks have been pursuing a policy of cheap money. The first and foremost is the ECB (European Central Bank), which buys bad stocks and bonds to save banks, tries to fuel economic growth and props up states that are in debt. But what relieves state budgets to the tune of hundreds of billions annoys savers: interest rates are close to zero. 　　The fiscal policies of the central banks are causing an uncontrolled global deluge of money. Experts are warning of new bubbles. In real estate, for example: it’s not just in German cities that prices are shooting up. In London, a one-bed apartment can easily cost more than a million Euro. More and more money is moving away from the real economy and into the speculative field. Highly complex financial bets are taking place in the global casino - gambling without checks and balances. The winners are set from the start: in Germany and around the world, the rich just get richer. Professor Max Otte says: "This flood of money has caused a dangerous redistribution. Those who have, get more." But with low interest rates, any money in savings accounts just melts away. Those with debts can be happy. But big companies that want to swallow up others are also happy: they can borrow cheap money for their acquisitions. Coupled with the liberalization of the financial markets, money deals have become detached from the real economy. But it’s not just the banks that need a constant source of new, cheap money today. So do states. They need it to keep a grip on their mountains of debt. It’s a kind of snowball system. What happens to our money? Is a new crisis looming? The film 'The Money Deluge' casts a new and surprising light on our money in these times of zero interest rates.

为什么总这么累？短片以导演惯用的手法——不断溶解和淡入的油画镜头来展现主角在办公室、街头和法庭等公共场合的入睡，旁白与画面内容完整平行，以忧郁而幽默的超现实方式听天由命地看待疲劳这一社会问题，直到入眠的正常愿望在重复处理下显出病态，表达对当代社会催人且刺激神经的业绩准则的讽刺。（小易甫字幕组）

幼い頃のシスターコンプレックスを引きずったまま、いまだに大人になりきれない女子大生の妹と、結婚を機にこれまでの生活を一新しようとする姉。そんな二人の異常ともいえる姉妹関係を綴った青春映画。監督と脚本は、TV版『桃尻娘』『ボクの女に手を出すな』のコンビ、中原俊と斎藤博。

实习捕快苏小翘为了调查母亲被灭口的线索，与清风寨匪首遗孀顾青黛互换身份和面容，在清风寨当起了寨主，并以顾青黛的身份“娶”了前来卧底的肃正阁上司楚晏为压寨夫君，以探究其阴谋背后的真相。

实习捕快苏小翘为了调查母亲被灭口的线索，与清风寨匪首遗孀顾青黛互换身份和面容，在清风寨当起了寨主，并以顾青黛的身份“娶”了前来卧底的肃正阁上司楚晏为压寨夫君，以探究其阴谋背后的真相。